Sunday, October 2, 2022

2022 Connecticut Sea Grant - I WON!!!!

https://seagrant.uconn.edu/wp-content/uploads/sites/1985/2017/03/CTSG-logo.jpg 

Two months ago, I applied for the Connecticut Sea Grant for the funding year 2022 - 2023.  I've had my eye on this program for a long time and I have followed grant winners over the years.  I always hoped to apply, and this year I decided to go for it!  

And..........THIS, in my inbox....

Connecticut Sea Grant (CTSG) has now concluded the review of submissions to its Arts Support Awards Program for this year.   The review was conducted by an independent Arts Award Review Panel.  I am very pleased to inform you that your project proposal, “Bloom: A Flourish in Long Island Sound” was selected for funding.  

What?!  Oh my gosh!!!!!!

I am thrilled to now be a part of this amazing program.  

You can read more about Connecticut Sea Grant (CTSG) here.  

And you can read the Press Release HERE.

I'll be posting more about my project soon. Stay tuned!

 

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Thank you for visiting my blog!  I hope you enjoyed reading about what's been going on for me artistically.  
 
I look forward to hearing from you on my website at 
 
or right here on my blog 
(you're reading it!) at www.marshamakes.blogspot.com.
 

 


Thursday, September 29, 2022

Decoys and Mimics at The Institute Library - Summer Show

This is a wonderful show that's been on display since mid-July.  I had a chance to see it at the end of the summer, and oh, what fun!!!

I've been working on my entry for this show for a few years, on and off, and I am so glad that it has finally found a home in this exhibit.

Here is my Artist's Statement for this work:

Humans are the only animals with permanent breasts.

[Breast. (2022, June 21). Wikipedia. Retrieved July 6, 2022 from https://wikipedia.org/wiki/Breast]

 

There is an endless fascination with the human breast.  We police them, sexualize them, protect them, remove them, add them, enlarge them, reduce them, maximize them, minimize them, decorate them, flaunt them, fetishize them.    

In this work, which is ongoing, I create and embellish the individual breast as facsimile.  The pigmented areola of each breast is seed-stitched, mimicking an inverted nipple that is evolving in function and form.  Each breast, as artifice, can be added to or subtracted from, welcomed or unwelcomed, wanted or unwanted, permanent or impermanent.

The totality is an homage to the human breast and the power it wields over our sense of self in all its various forms, through the personal process of becoming.

Marsha Borden

July 6, 2022

Here are some photos from my summer visit:

 

AND you can read a wonderful review of the show (Thank you, Lucy Gellman!) in The Arts Paper HERE.

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Thank you for visiting my blog!  I hope you enjoyed reading about what's been going on for me artistically.  
 
I look forward to hearing from you on my website at 
 
or right here on my blog 
(you're reading it!) at www.marshamakes.blogspot.com.
 

Monday, September 19, 2022

I'm In Guilford Art League's 74th Annual Juried Exhibition! **Includes Video

I am honored to be a part of this year's 74th Annual Guilford Art League Exhibition!  The Juror, Jeanne Ciravolo, selected 85 of the 191 works that were submitted.  It's an eclectic, colorful show that features 85 Connecticut artists working in all media including oils, watercolor, pastels, acrylics, sculpture, collage, mixed media, printmaking, and photography.  **SEE VIDEO BELOW

You can read the Press Release HERE.

Here are a few photos of my work and the Opening Reception, which was held last Friday, September 16, 2022 at Guilford Art Center in Guilford, Connecticut (It is a vessel, hand wrapped, coiled and sewn):





And a huge THANK YOU to Guilford Art Center for posting a video of this beautiful show.  You can see that HERE.

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Thank you for visiting my blog!  I hope you enjoyed reading about what's been going on for me artistically.  
 
I look forward to hearing from you on my website at 
 
or right here on my blog 
(you're reading it!) at www.marshamakes.blogspot.com.